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Rating 3½
Created by Stephen Chbosky, Josh Schaer and Jonathan E Steinberg
Written by Carol Barbee (4 episodes), Stephen Chbosky (4 episodes), Matthew Federman (4 episodes), Rob Fresco (1 episode), Joy Gregory (2 episodes), Karen Hall (1 episode), Ellie Herman (1 episode), Mike Kelley (1 episode), Robert Levine (2 episodes), Frank Military (2 episodes), Mike Ostrowski (3 episodes), Stephen Scaia (4 episodes), Josh Schaer (2 episodes), Jonathan E Steinberg (5 episodes), Dan Shotz (2 episodes), Robbie Thompson (1 episode) and Nancy Won (1 episode)
Directed by Guy Norman Bee (3 episodes), Matt Earl Beesley (1 episode), Sanford Bookstaver (3 episodes), Steve Boyum (1 episode), Duane Clark (1 episode), Steven DePaul (1 episode), Kevin Dowling (1 episode), Steve Gomer (2 episodes), Christopher Leitch (1 episode), Seith Mann (2 episodes), Paul McCrane (1 episode), Martha Mitchell (2 episodes), Christine Moore (1 episode), John Peters (1 episode), Scott Peters (1 episode), Helen Shaver (1 episode), J Miller Tobin (1 episode), Jon Turteltaub (2 episodes), James Whitmore Jr (3 episodes)
Starring Skeet Ulrich, Gerald McRaney, Pamela Reed, Kenneth Mitchell, Ashley Scott, Lennie James, Michael Gaston, Brad Beyer, Shoshannah Stern, Alicia Coppola, Clare Carey, Darby Stanchfield, Richard Speight Jr, Bob Stephenson, Erik Knudson, Candace Bailey, Beth Grant, April D Parker, Jazz Raycole, Sterling Ardrey, James Remar, D B Sweeney, Esai Morales and Sprague Grayden
Jake Green (Skeet Ulrich) returns to Jericho, a small town in Kansas near to the border with Colorado where he grew up, harbouring a secret about where he has been for the last five years. His reason for returning is to claim an inheritance from his grandfather’s will, but when his father Johnston Green (Gerald McRaney), the town’s Mayor for the last 25 years and the executor of the estate, refuses to sign the release forms, he sets out to leave once again, old family wounds having been reopened. On his way out of town, Jake is involved in an automobile accident when he is distracted by the sight of a mushroom cloud on the distant horizon. Although injured, he is able to rescue a busload of young children and their teacher Heather Lisinski (Sprague Grayden), the friend of his former girlfriend Emily Sullivan (Ashley Scott), who have been involved in a separate accident.
In the aftermath of the mushroom cloud, the townsfolk discover that Denver has been the target of a nuclear device and it then becomes clear that it is just one of 23 major cities to be targeted. They are now cut off from the rest of the world with no lines of communication, limited power and resources and very little food, with a harsh winter just around the corner. They also have a mysterious newcomer in their midst, Robert Hawkins (played by the British actor and playwright Lennie James).
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The first season of ‘Jericho’ ran for 22 episodes and was broadcast by the CBS network in the U.S. between 20 September 2006 and 9 May 2007, averaging 9.5 million viewers per episode. The show was initially cancelled at this point and resulted in the inevitable fan campaign to have it reinstated. The network did briefly relent and a second season began on 12 February 2008, with seven episodes commissioned to allow the story to be brought to a conclusion of sorts. This truncated second season has, perhaps by necessity, a somewhat different feel to that of season one, one that I feel works rather well. The final episode was broadcast on 29 September 2008. The DVD offers two alternative endings. My preference is for the one that was broadcast.
The theme of the show was influenced both by the terrorist attack on the World Trade Centre in New York in September 2001 and the widespread devastation caused to New Orleans by Hurricane Katrina in August 2005. Although some television critics compared it to ‘Lost’, presumably because of the sizeable cast of characters, the show it most obviously resembles is ‘Invasion’, which ran on the ABC network for one season of 22 episodes between September 2005 and May 2006. In that show, a small coastal town in Florida is cut-off from the outside world following a devastating hurricane.
I became aware of ‘Jericho’ because I recognised a number of the cast, including Skeet Ulrich, who I had first come across ten years previously in the films ‘The Craft’ and ‘Scream’. Ashley Scott was the lead actress in ‘Birds Of Prey’ and I had been impressed by Sprague Grayden in the second season of ‘Joan of Arcadia’. Clare Carey had been one of the lead cast members of the short-lived and much-maligned ‘Point Pleasant’, which remains one of my favourite shows of recent years.
I largely missed out on the series when it was being broadcast on television in the UK, apart from one small segment of a random episode. However, the premise sounded interesting, the presence of people like Scott, Grayden and Carey in the cast stirred my interest, and I was keen enough to finally invest in a DVD set.
The series attempts to show what might happen in the event that the U.S. became the target of a major nuclear attack that effectively wiped out the federal government. It uses a small isolated Midwest town as a kind of microcosm to represent the wider picture, much as the Salem witch trials of 1692 are often used as a means of understanding the widespread witch hunts that occurred in Europe over a period in excess of 200 years during the Middle Ages. In one of the advertisements for the series before the start of the truncated second season, the question was posed, “What if the America you knew was about to change?” The show depicts the numerous ways in which individuals might react to such a cataclysmic event and how these individual actions affect the community as a whole.
At the centre of the story we have Jake Green who constantly steps up to the plate to perform heroic acts. He is very typical of the American ideal of the flawed but individualistic hero. Johnston Green is the patriarch of the small community, as rugged as Mount Rushmore, a kind of John Wayne figure, and his wife Grace (Pamela Reed) is the matriarchal figure. Gray Anderson (Michael Gaston) challenges Johnston’s position as Mayor, his reasons for doing so largely self-serving, and replaces him, these characters being diametrical opposites. The same juxtaposition can be witnessed in a slightly different way via the local law enforcement officers, Bill Kohler (Richard Speight Jr) and Jimmy Taylor (Bob Stephenson). They are lifelong friends and prior to the attacks there does not seem to be much difference between the two, but one is a hothead who sides with Anderson and the other a more reflective character who acts as a voice of reason and ultimately remains loyal to the town’s deposed Mayor.
The one obvious problem with this approach is that some characters do end up being rather two dimensional, a necessity of trying to create this jumble of differing reactions to such an extreme situation. For example, I found Grace Green unbearably sanctimonious much of the time, even though I understand the purpose this character plays and appreciate that she acts as a kind of moral compass.
The dialogue does occasionally tend towards the clunky and the episodes are often less than subtle. There are too many “shoot ‘em ups” for my tastes, which are undoubtedly intended to be exciting, but just end up lending several episodes a rather monotonous air. To all intents and purposes, this is a western in a modern setting and every cliché of that genre is dragged out and used to bludgeon us with. Having said this, it is very well done and the production values are obviously high. With each episode it is possible to become more invested in the story, if not necessarily the individual characters, and at least want to stick around to find out what happens next. One interesting narractive device was that we the audience did not see anything of the world outside of Jericho until the characters did and even then we only ventured as far as they did.
The character I was firstdrawn to is the school teacher Heather Lisinski, who unfortunately is ultimately rather underused and is written out of the story after episode 13 for much of the remainder of the first season. Executive producer Jon Turteltaub suggested that she had been an afterthought, whose involvement beyond the pilot episode was not originally planned. They don’t make the most of her. The young rancher Stanley Richmond (Brad Beyer), his deaf younger sister Bonnie (Shoshannah Stern) and, in particular, Mimi Clark (Alicia Coppola), the IRS agent from Washington DC who comes to Jericho to audit their family ranch, prove to be three of the most likeable characters. Clearly, I am not alone in thinking this, because I discovered “The Richmond Ranch”, a fan website devoted to them.
On the other hand, I remain less than convinced by the teenage Bonnie and Clyde that are Dale Turner (Eric Knudson) and Skylar Stevens (Candace Bailey). The concept of these two teenagers who are drawn together because they lose their parents in the attacks is an interesting idea, but I couldn’t help but think that someone needed to give Dale a good clip around the ear.
I did find myself almost becoming angry at some points during the episodes, simply because I remain undecided exactly what message the show wanted to send out. As an example, torture is a theme dealt with in both seasons. This could be interpreted simply as a commentary about what otherwise decent people can be pushed to in desperate situations. It might also be (and I suspect it probably is) a comment on the American torture camps sanctioned by the Bush administration as part of the so-called ‘War on Terror’, which must surely be one of the most shameful episodes in recent American history. However, I could not help but wonder if it was nothing more than a suggestion that this is what the “enemy” is capable of, which puts an somewhat different spin on it.
In the closing episodes of the first season when everyone seems to spend all of their time striding around very manfully with rifles in their hands, playing at being cowboys, the whole alien (to me) “right to bear arms” ideology that seems to be an ingrained part of the American psyche did become a little unnerving. Clearly, my own bias is coming out here and I am witnessing the show from an “outside” European perspective.
Having said all of this, the episodes of season two would clearly seem to be a decidedly less then flattering comment about the behaviour and actions of the Bush administration in the years following 9/11, often flouting international law on human rights, and so any suspicions I might have do seem to be unfounded.
All in all, whatever its faults, I liked ‘Jericho’. I cannot say I fell in love with the show, unlike, as an example, ‘Joan of Arcadia’. I think ‘Invasion’, to use an example of a show that it might be more obviously compared to, was probably better, or at least I preferred it. However, I am a little surprised it was not given a full second season, although it does seem that no American network series is safe from the premature chop these days.
Review posted 30 March 2009
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Created by Barbara Hall
Starring Amber Tamblyn, Joe Mantegna, Mary Steenbergen, Jason Ritter, Michael Welch, Becky Wahlstrom and Chris Marquette
This show was cancelled at the end of its second season in April 2005 and I missed out on it when it was shown on, I believe, the Living channel in the UK. I’ve long wanted to see it, partly because of the cast, partly because of the comparison to the brilliant ‘Dead Like Me’, and partly because of the premise of the show and its take on faith, which sounded interesting. All I can say is, hoorah for R1 DVDs.
I haven’t made it into season two as yet, so my selection of the show as my discovery of 2007 from the past is based solely on the first season. It’s not just as good as I had hoped; it has exceeded my expectations. I can understand the comparisons to ‘Dead Like Me’, but like all of these shows the obvious influence is ‘My So-Called Life’. The supernatural element of the show might drive the narrative, but in some ways it is incidental to it. The relationship between the various characters is what really matters.
It’s sentimental and likes to resolve stories with a positive moral outcome, lacking the edge of ‘My So-Called Life’ in that respect, but these are not faults - and even if sometimes the resolutions are a little glib it is not a criticism.
The cast is great. I’ve yet to see Amber Tamblyn in anything where she has not impressed me. It’s been too long since I last saw Mary Steenbergen in anything and it has reminded me that I must check out her 1979 film ‘Time After Time’ again.
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God: “Hey kid, it’s me. You need proof? Fine. Sometimes you like to practice French kissing yourself on the mirror.”
Joan: “Why do you have to be so mean? Look, that was my dad who turned you off last night, so if there’s some kind of penalty, then I…”
God: “Fine. He shall spend all of eternity burning in Hell.”
Joan: “No! No… No… No! My dad’s a really great man.”
God: “I’m kidding. There’s no penalty for turning me off. Hey, just because I speak doesn’t mean anyone has to listen.”
Joan: “Really?”
God: “Yeah. Freewill is one of my better innovations. I give suggestions, not assignments.”
Joan: “I feel a suggestion coming on.”
God: “Stop squandering the potential I gave you. Stop under-achieving. Have some pride.”
Joan: “Wait… In what, like, school?”
The obvious shows that ‘Joan of Arcadia’ (CBS 26 September 2003 – 22 April 2005) might be compared with are ‘My So-Called Life’ (ABC 25 August 1994 – 26 January 1995), ‘Dead Like Me’ (Showtime 27 June 2003 – 31 October 2004) and, of course, ‘Buffy the Vampire Slayer’ (WB/UPN 10 March 1997 – 20 May 2003).
Another show often mentioned is ‘Wonderfalls’ (Fox 12 March 2004 – 15 December 2004), which I have never seen.
The first thing to note about these various shows is that they all emanate from different networks and with the exception of ‘Buffy’ they were all cancelled prematurely.
The next thing to note is the importance of ‘My So-Called Life’, which clearly had a huge impact on all of the other shows mentioned – perhaps omitting ‘Wonderfalls’, which I am not qualified to comment on. However, I must avoid the trap of assuming that ‘My So-Called Life’ suddenly emerged out of a black hole, any more than ‘Buffy’ came into existence without influences and pre-existing source material.
‘The Wonder Years’ (ABC 15 March 1988 – 12 May 1993) comes to mind and even, for all of its very obvious faults, ‘Beverly Hills 90210’ (Fox 4 October 1990 – 17 May 2000). ‘Party of Five’ (Fox 12 September 1994 – 3 May 2000) also comes to mind – and also ‘The X Files’ (Fox 10 September 1993 – 19 May 2002), although the influence of this particular show is more abstract. What is most obvious about these last three shows mentioned is that they were all broadcast on FOX and it seems apparent that network has been desperately searching for replacement shows ever since – and adopting an increasingly trigger-happy cancellation policy as part of this search. It does have the ratings hits ‘House’ and ‘Bones’ these days, of course.
‘Joan of Arcadia’ tells the story of the Giradi family. Will Giradi (played by Joe Mantegna) and his wife Helen (Mary Steenburgen) move their family to Arcadia in Maryland (the external shots of the town were actually filmed in Wilmington, Delaware) to make a fresh start, eighteen months after an automobile accident that left their eldest son Kevin (Jason Ritter – the son of John Ritter) a bitter, wheelchair-bound paraplegic. The family is completed by middle child Joan (Amber Tamblyn), and Luke (Michael Welch), the youngest of the three children.
Will Giradi becomes the new Chief of Police, taking over a police department that has been hit by media allegations of incompetence and corruption. He demands strict adherence to procedural guidelines and this puts him into conflict with his officers and the local District Attorney’s office. Helen works part time in the administration office at the local high school Joan and Luke attend. The School Principal is a distant figure and the Deputy Principal is a destructive influence who constantly stifles the creative urges of his students.
Kevin was a star basketball player at his high school and had a sports scholarship to attend the University of Arizona prior to his accident. His once very close relationship with his father is now fraught and distant. He is angry and bitter, prone to feelings of self-pity. Joan shows little aptitude for academic study and is constantly sent to the Principal’s office for various minor misdemeanours. She finds it hard to make friends at her new school, especially when circumstances conspire to bring her together with Grace Polk (Becky Wahlstrom), an aggressively hostile loner, whose sexuality is a matter of constant discussion amongst other students, and Adam Rove (Christopher Marquette), a troubled teenager who agonises about the death of his mother. He is written off by the school system as a “stoner”, which he isn’t, although he might be a high-functioning autistic.
Luke Giradi is a science geek who has a crush on Grace.
Joan is visited by God in the guise of a variety of outwardly normal people and instructed to undertake various seemingly inconsequential tasks that create a butterfly effect, affecting those around her. The first time she sees God it is in the guise of a “cute boy” who she crushes on (played by Kris Lemche – a Canadian actor who starred in the films ‘Ginger Snaps’ and ‘Final Destination 3’). God comes to her again in this guise, but on other occasions it is as a small girl, a mime, a garbage collector, a chess master, a naval officer, a homeless person, a substitute teacher, a flight attendant and a security guard, amongst others.
Joan: “Who are you?”
Cute Boy: “I’ve known you since before you were born, Joan.”
Joan: “I’m going to ask you one more time.”
Cute Boy: “I am God.”
Joan: “You’re what?”
Cute Boy: “God.”
Joan: “Don’t. Ever. Talk. To. Me. Again.”
Joan: “And, I’m supposed to believe you… because?”
God: “Because you have a feeling.”
Joan: “No, I don’t.”
God: “How about you believe me if I agree to overlook that promise you didn’t keep.”
Joan: “What promise?”
God: “Let’s see, that you would study hard, stop talking back, clean your room, and even go to church, if I recall, if I let your brother live.”
Joan: “How did you know about that?”
God: “Omniscient! Look it up.”
Joan: “So… you let my brother live, and now you’re here to collect?”
God: “No. I don’t bargain. That would be cruel.”
No one knows that Joan speaks to God – and no one seems to notice her talking to the various people whose guises God apparently assumes.
Joan: “That was close. Why didn’t he see you?” (Referring to her brother Luke)
God: “Just didn’t notice me. That happens a lot.”
The story leads us to the conclusion that this really is God, but it allows room to speculate if these conversations with God are actually delusions or hallucinations, if we so wish.
Subjects tackled include a serial killer who targets teenage girls, rape, cheerleading, teenage pregnancy, police brutality and racism, and different kinds of prejudices, not always intended, against people with disabilities.
In the episode ‘Just Say No’ (s1 e4) a woman who was brutally raped discovers that her attacker will not be charged with the crime because on the night of the attack she was mistakenly breathalysed when she attempted to report what had happened to the police, the result indicating alcohol in her bloodstream, the equivalent of one glass of red wine, enough to sway a jury in favour of the accused, an outwardly articulate middle-class white man. A senior detective working on the case doctors the police report to remove the evidence of the breath test and the District Attorney makes plans to prosecute the case, but Will Giradi discovers the deception and fires the officer in question. In the same episode we learn that Helen Girardi was raped when she was a college student and her attacker was never apprehended, a traumatic event that has haunted both her and Will ever since – and, within this episode, leads to a breakdown of communications between Helen and Joan.
Nate Dushku, brother of Eliza, is featured in this episode.
In the episode ‘Bringeth It On’ (s1 e6), which deals with teenage pregnancy and the ostracisation of girls who become pregnant, Joan tries out to become a cheerleader, on instructions from God, and alienates Grace in the process.
CeeCee: “So, what do you feel most qualifies you to be a cheerleader?”
Joan: “Um, I saw Bring it On.”
CeeCee: “Oh My God! Bring It On is, like, the majorest of cheer films!”
For her initial tryout, Joan makes up her own cringe inducing on the spot “cheer”:
“Well, I can’t do any stunts
No… NO!
And how about jumps?
So-so
So why am I here?
Well, it’s really odd
But I’m here to cheer on a mission from God
So put me in the game or leave me on the bench
So you can go to heaven and I'll get out of French”
‘Joan of Arcadia’ was created by Barbara Hall, whose other credits include ‘Northern Exposure’ and ‘Judging Amy’. Hart Hanson was a writer on the show. His previous credits also includes ‘Judging Amy’ and he went on to create ‘Bones’.
I first came across Amber Tamblyn when she played Janice in the ‘Buffy’ episode ‘All The Way’ (2001). She was one of the two schoolgirls in the opening sequence of ‘The Ring’ (2002). She was one of the four leads in ‘The Sisterhood Of The Travelling Pants’ (2005), which grossed $39 million at the US box office, enough for a sequel, which is due for release sometime in 2008. She played the lead role in ‘The Grudge 2’ (2006).
Tamblyn is the daughter of the actor Russ Tamblyn.
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