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Rating 3
Directed by William Friedkin
Written by Tracy Letts, based on his stage play
Starring Ashley Judd, Michael Shannon, Lynn Collins, Harry Connick Jr and Brian F O’Byrne
Agnes White (Ashley Judd) lives in a dilapidated motel room and works as a waitress at a near-by lesbian bar. She is being menaced by her abusive former boyfriend/husband Jerry Goss (Harry Connick Jr), who has been released on early parole from jail. Then she meets Peter Evans (Michael Shannon), a drifter who believes he is infested with bugs, and she is sucked into his weird world of deranged conspiracy theories.
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‘Bug’ is one of those films that deal with the strange “living on the edge of madness” netherworld that is a part of the American experience. Largely set in the motel room and with a small cast, it slowly creates a claustrophobic ambience. It was intriguing enough, imagine a Tennessee Williams play directed by David Cronenberg, although it went completely barmy towards the end and I suspect it wanted to be taken more seriously than perhaps we should. Undoubtedly, this is a film intended to generate discussion and debate about its meaning, but I am not entirely convinced it deserves or needs too much thought.
The performances are good, if a little overwrought towards the end. The director William Friedkin is best known for two celebrated early 1970s films, ‘The French Connection’ and ‘The Exorcist’.
‘Bug’ has a 59% fresh rating at Rotten Tomatoes from 124 reviews. The film grossed a little over $8 million at the box office worldwide.
Review posted 30 March 2009
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Rating 3

Directed by Alex TurnerWritten by Simon Barrett
Starring Henry Thomas, Patrick Fugit, Nicki Aycox, Isaiah Washington, Michael Shannon, Mark Boone Junior and Muse Watson
An outlaw gang robs a bank in Fairhope, Alabama in 1862, stealing gold being deposited there by a battalion of the Confederate army.
William (Henry Thomas, who will probably always be best remembered for his role as Elliott in ‘ET’), the gang’s leader, accidentally shoots dead a small boy as the gang makes its escape. His younger brother Sam (Patrick Fugit) takes a bullet in the shoulder and the gang holes up over night in a deserted plantation house. Petty squabbles between the gang members escalate as the creepy claustrophobia of the house increases their paranoia and begins to cause them to see disturbing visions.
‘Dead Birds’ is a direct-to-DVD haunted house horror with voodoo overtones, its storyline sharing the same basic theme as the Kate Hudson film ‘The Skeleton Key’. What initially makes it stand out is the setting – the period of the American civil war. In some ways it put me in mind of ‘Deathwatch’, the creepy little 2002 British horror film set in the trenches during the First World War.
The second thing to become apparent is the snail-paced narrative. This film moves along very slowly and next to nothing seems to happen for much of the time. Most of the film is set inside the eerie house in the dead of night during a rainstorm, with only oil lamps for light. The acting is equally low-key. The performance of Isaiah Washington, as one example, is so understated that if he had underplayed the role a touch more he would probably have vanished altogether. Washington had previously been in the under-rated horror film ‘Ghost Ship’ and later became embroiled in controversy leading to his removal from the television show ‘Grey’s Anatomy’.
I liked this film a lot. I liked the look of it. I liked the funeral-march pace. I liked the performances. It is derivative – the use of the old house; the rainstorm at night; the cornfield that hides evil. It doesn’t add anything new to the genre, but it makes good use all these elements.
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