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Rating 3¼
Created by Ari Schlossberg
Executive Producers: Jeffrey Bell and Jon Turteltaub
Episodes written and directed by: EP1 Whap (Ari Schlossberg / Jon Turteltaub); EP2 Crackle (Jeffrey Bell / Sanford Bookstaver); EP3 Ka-Blam (Jill E Blotevogal / Steve Boyum); EP4 Bang (Lindsay Sturman / Guy Bee); EP5 Thwack (Tyler Bensinger / Steve Gomer); EP6 Sploosh (Robert Levine / James Whitmore Jr); EP7 Thrack, Splat, Sizzle (Jeffrey Bell / Scott Peters); EP8 Gurgle (Tyler Bensinger / Rick Bota); EP9 Seep (Nichelle Tramble Spellman / Craig R Baxley); Ep10 Snap (Christine Roum / Steve Boyum); EP11 Splash (Dan Shotz / Rick Bota); EP12 Gasp (Christine Roum and Robert Levine / Seith Mann); Ep13 Sigh (Jeffrey Bell / Sanford Bookstaver)
Starring Elaine Cassidy (Abby Mills), Christopher Gorham (Henry Dunn), Katie Cassidy (Trish Wellington), Cameron Richardson (Chloe Carter), Adam Campbell (Cal Vandeusen), C J Thomason (Jimmy Mance), Jim Beaver (Sheriff Charlie Mills), Richard Burgi (Thomas Wellington), Dean Chekvala (J D Dunn), Matt Barr (Christopher ‘Sully’ Sullivan), Brandon Jay McLaren (Danny Brooks), Chris Gauthier (Malcolm Ross), Sean Rogerson (Joel Booth), Gina Holden (Shea Allen), David Lewis (Richard Allen), Cassandra Sawtell (Madison Allen), Claudette Mink (Katherine Wellington), Amber Borycki (Beth Barrington), Sarah Smyth (Lucy Daramour), Ben Cotton (Shane Pierce), Anna Mae Routledge (Kelly Seaver), Ali Liebert (Nikki Bolton), Beverly Elliott (Maggie Krell), Victor Webster (Hunter Jennings), Callum Keith Rennie (John Wakefield), Jay Brazeau (Dr Ike Campbell), Sarah-Jane Redmond (Sarah Mills), Dean Wray (Cole Harkin), and Harry Hamlin (“Uncle” Marty Dunn)
Seven years ago on Harper’s Island John Wakefield brutally murdered six people in a ritual killing spree before being shot dead by the local sheriff, Charlie Mills, whose wife was one of victims. Mills sent his daughter Abby away from the island following the killings and she has been estranged from him ever since. She comes back to the island seven years later for the wedding of her childhood friend Henry Dunn, but when the wedding guests start to die or disappear it seems as if there is a copycat killer on the loose, continuing where John Wakefield left off.
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‘Harper’s Island’ is a murder mystery / thriller / drama series broadcast on the CBS network in thirteen episodes between 9 April and 11 July 2009. It differed from other American network shows because it was never intended to extend past its one and only season, which might partly explain why CBS allowed the full run to be broadcast despite an alarming drop in ratings after the opening episode. This was rather out-of-step with the usual trigger-happy response of the television networks, which are often quick to cancel anything that does not make a sustained instant impact. The first episode was watched by 10.2 million viewers. The series hit a low with episode nine, which was watched by just 3.2 million viewers. The final episode had an audience of just over 4 million viewers.
The show was created by Ari Schlossberg, who was in charge for the original short pilot presentation. However, by the time of the first episode Jeffrey Bell and Jon Turteltaub had been brought in as executive producers and Bell extensively rewrote that opening episode. Several actors cast in leading roles in the pilot had also been replaced. Jeffrey Bell’s previous credits included ‘The X-Files’ and ‘Angel’. Jon Turteltaub is a successful film director whose credits include ‘While You Were Sleeping’ and ‘National Treasure’. He was an executive producer on ‘Jericho’, a show that ran on the CBS network between 2006 and 2008.
An obvious reference point for ‘Harper’s Island’ is the famous 1939 Agatha Christie crime thriller novel ‘And Then There Were None’, which was originally titled ‘Ten Little Niggers’ and is also known as ‘Ten Little Indians’. The horror franchise ‘Scream’ has also been widely mentioned, although I would say ‘I Know What You Did Last Summer’ and, even more so, its sequel ‘I Still Know What You Did Last Summer’ would be a closer fit. The show bears similarities to numerous other sources, deliberately so. It was always intended to pay homage to a particular brand of murder mystery and horror.
I watched the opening episode three times before making the leap to the second episode. Each time I felt a sense of disappointment because I wanted to like it so much more than I did. However, once I had moved on to episode two I quickly found myself enjoying it more and more and soon became hooked, watching all thirteen episodes (on DVD) in the space of four days.
I quickly decided that it was best not to give too much thought to holes in the plot and the myriad of implausible happenings. The action takes place on an island that is not isolated or otherwise unoccupied. It has a fully established community, who remain largely invisible, other than a small handful of characters. There would, we must conclude, be any number of boats available to take people off the island and yet the destruction of one boat and the disappearance of another is seemingly enough to strand the wedding guests there. Early on various wedding guests and others seem to just disappear without anyone noticing anything in particular. We, the audience, know they have been killed, but within the story their absence is either not mentioned or it is assumed they have returned to the mainland, apparently doing so without saying goodbye and letting anyone know they were leaving. To some extent this is explained by the fact that everyone is hard at work making last-minute plans for what is clearly an elaborate and very expensive wedding, and are somewhat oblivious to what is going on around them, but when we don’t simply accept the ride for what it is there is no doubt that it all becomes rather silly.
Having said this, it is a very enjoyable piece of hokum. The cast is great, including Christopher Gorham, who will be familiar to many people from ‘Ugly Betty’, Cameron Richardson, who was in the short-lived ‘Point Pleasant’, a show I adore, and stalwarts like Richard Burgi and Jim Beaver. The lead role of Abby Mills is played by Elaine Cassidy, an Irish actress I am sure I recognise, although I cannot bring to mind anything else I might have seen her in.
The show is not perfect by any stretch of the imagination and the various red herrings are so transparent that they often serve little purpose. It takes a few episodes to really get warmed up and it does start to unravel a little bit in the final few episodes; I am still undecided about the dénouement. However, for all of these criticisms, it’s the most enjoyable American television series I have watched in quite a while, although I am not sure how well it would stand up to a second viewing.
Reviews were mixed. Twenty-two reviews are collected at Metacritic, resulting in a 61% rating. Not all critics were impressed. Matthew Gilbert, writing in the Boston Globe, called it “this enervating, vapid and obscenely over-promoted thriller,” while Daniel Carlson of the Hollywood Reporter thought it was “boring”.
Review posted 23 March 2010
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Rating 3¾
Directed by Joe Johnston
Written by Jonathan Hensleigh, Greg Taylor and Jim Strain, based on the book by Chris Van Allsburg
Starring Robin Williams (Alan Parrish), Kirsten Dunst (Judy Shepherd), Bradley Pierce (Peter Shepherd), Bonnie Hunt (Sarah Whittle), Bebe Neuwirth (Nora Shepherd), David Alan Grier (Carl Bentley), Jonathan Hyde (Van Pelt / Sam Parrish), Patricia Clarkson (Carol-Anne Parrish), Adam Hann-Byrd (Young Alan) and Laura Bell Bundy (Young Sarah)
12-year-old Alan Parrish is bullied by other boys because of his friendship with Sarah Whittle. His father is a cold and distant figure in his life who plans to send him away to boarding school. Alan finds a strange board game that had been buried a hundred years previously and is literally sucked into the game when he and Sarah start to play it. She flees from the house in terror, pursued by African bats, but nobody believes her story of what happened and Alan’s disappearance remains a mystery from that day on. Twenty-six years later Nora Shepherd moves into the house once occupied by the Parrish family with her young niece and nephew Judy and Peter. Their parents were killed in an automobile accident. The children find the board game in the attic and when they start to play it they release Alan, now a fully-grown man, but (with the help of Alan and Sarah) they must complete the game to save the local community from the chaos and destruction they have unwittingly unleashed.
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‘Jumanji’ is a 1995 family film based on a 1981 illustrated children’s book by Chris Van Allsburg, who also wrote ‘The Polar Express’. The film employed what were then state-of-the-art special affects and had a production budget of $65 million. It grossed just under $263 million at the box office. Reviews were mixed. 26 reviews are collected at Rotten Tomatoes and result in a 50% rating. At Metacritic the rating is 39% from 18 reviews. At Amazon the brief write-up by Jeff Shannon describes the films as, “A chaotic and misguided attempt at family entertainment, the movies does offer a few good laughs, and the effects are frequently impressive, if not entirely convincing to the eye.”
I certainly agree about the special effects, which are at once impressive (although slightly ragged looking fifteen years on) and yet strangely unconvincing. However, this is a film I like very much. I did not see the film at the cinema and I have never owned a copy on video or DVD, but I have now watched it about half-a-dozen times when it has been shown on television and I have enjoyed it immensely each time.
It’s a spirited romp with a touch of invention in the story and a perfect vehicle for the feverish mugging that is the stock-in-trade of Robin Williams. He is on good form here, but his over-the-top antics do not overwhelm the film and his odd combination of frenetic over-acting and mawkish sentimentality (a kind of mixture of the Three Stooges and Charlie Chaplin) works impeccably. The film has a strong cast generally, including 13-year-old Kirsten Dunst, a year after ‘Interview with the Vampire’, and a blink and you might miss her appearance by Patricia Clarkson.
‘Jumanji’ is a contender for my all-time favourite family/children’s film. Great stuff.
Review posted 22 March 2010
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Rating 1 (2 on second viewing)
Directed by Joel Bergvall and Simon Sandquist
Written by Michael Petroni, based on the film‘Addicted’, written by Byun Won-mi
Starring Sarah Michelle Gellar (Jessica), Lee Pace (Roman), Michael Landes (Ryan), Tuva Novotny (Casey), Chelah Horsdal (Miranda), Dhirendra (Dr Rajan) and William B Davis (Hypnotist)
Jessica and Ryan are happily married, although Jessica is not as attentive to the marriage as her husband. His troubled younger brother Roman, who has recently been released from prison following a six month conviction for aggravated assault, is temporarily living with them, an arrangement that Jessica finds increasingly difficult. Following a freak automobile accident that leaves both Ryan and Roman in a coma, Roman awakes, now claiming to believe that he is Ryan, leaving Jessica to try to come to terms with her own feelings of guilt and loss.
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‘Possession’ is an American remake of a 2002 South Korean film called ‘Addicted’ (or ‘Jungdok’). The film was first announced in 2006 and originally set for release in February 2008, but when the production company Yari Film Group experienced financial problems it resulted in a number of delays, until finally it was released direct to DVD in March 2010.
The film is a melancholy psychological thriller with supernatural overtones that follows a similar pattern to previous Sarah Michelle Gellar films ‘The Grudge’ and ‘The Return’. However, unlike those two films, it just does not work. There is little suspense or foreboding and there does not appear to be much obvious on-screen chemistry between Gellar and Lee Pace, both of whom are competent actors who give uninvolving performances here. The film is rather threadbare and somewhat botched and quite simply fails in almost every aspect.
I consider myself to be a fan of Sarah Michelle Gellar’s work and although the last film in which she took a starring role that made any appreciably commercial impact was ‘The Grudge’ in 2004, I think she has made some very worthwhile films since that time, even if she seems not to attract much critical support for her choices. However, ‘Possession’ is very poor, much like ‘Suburban Girl’ in 2007, another rare Gellar film that was, I concluded, somewhat less than inspiring.
Additional: Having watched the film for a second time, some of my previous criticisms no longer apply. It is, I have decided, not as bad as my initial impression of it suggested and both Sarah Michelle Gellar and Lee Pace give better performances than I had at first concluded. However, I do feel that the film fails to fire on all cylinders - it seems largely stuck in second gear and rarely gets any further than third. Perhaps my biggest criticism is that the portrayal of Ryan’s undying love for Jessica in the opening scenes comes across not so much as romantic and inspiring, but overly sentimental and even a little creepy.
Original review posted 7 March 2010 - additional comments added on 10 March 2010
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Rating 1½
Directed by Anand Tucker
Written by Deborah Kaplan and Harry Elfont
Starring Amy Adams (Anna Brady), Matthew Goode (Declan), Adam Scott (Jeremy), John Lithgow (Jack Brady), Kaitlin Olson (Libby)
Anna and Jeremy have been dating for four years and have recently applied to rent an exclusive apartment. When Jeremy fails to propose to Anna, as she had expected him to do, she decides to follow him to a medical conference in Dublin to propose to him, in accordance with an old Irish tradition told to her by her father Jack, allowing women to propose marriage on February 29th in a leap year. Anna’s flight from Boston is diverted due to bad weather and lands in Cardiff. She hires a boat to take her across the water to Dublin, but the boat is blown off-course in the stormy seas and lands in Dingle, where she meets cynical and hostile pub owner Declan. In desperate need of money, he agrees to drive her to Dublin, but they are befallen by a series of increasingly farcical mishaps.
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‘Leap Year’ is a formulaic rom-com that offers nothing new to the genre and fails in almost everything it sets out to do. We know exactly how the story is going to unfold right from the very start, which is not in itself a problem, but there is no invention here. We might forgive the fact that Cardiff is irritatingly referred to repeatedly as “Cardiff, Wales”, just in case we are not clear about the fact that it is not in Ireland. We might even forgive the complete absence of any attention to geography and overlook the ludicrous suggestion that a boat travelling across the St George’s Channel from Cardiff towards Dublin would land in Dingle. However, it is harder to ignore the horribly stereotypical and patronising depiction of a whimsical Ireland. The Irish accent employed by the English actor Matthew Goode is also all too predictably bad.
Goode has been highly critical of the film, suggesting that it might be a contender for the worst film of 2010. It probably isn’t that bad, but equally there is little to commend it and not even a typically spirited and accomplished performance by Amy Adams can rescue it, although her presence undoubtedly makes it more watchable.
‘Leap Year’ has a 21% rotten rating at Rotten Tomatoes from 112 reviews. Its box office gross to date is a little under $26.5 million, against a production budget of $19 million.
Review posted 7 March 2010
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Episodes written and directed by: EP1 Whap (Ari Schlossberg / Jon Turteltaub); EP2 Crackle (Jeffrey Bell / Sanford Bookstaver); EP3 Ka-Blam (Jill E Blotevogal / Steve Boyum); EP4 Bang (Lindsay Sturman / Guy Bee); EP5 Thwack (Tyler Bensinger / Steve Gomer); EP6 Sploosh (Robert Levine / James Whitmore Jr); EP7 Thrack, Splat, Sizzle (Jeffrey Bell / Scott Peters); EP8 Gurgle (Tyler Bensinger / Rick Bota); EP9 Seep (Nichelle Tramble Spellman / Craig R Baxley); Ep10 Snap (Christine Roum / Steve Boyum); EP11 Splash (Dan Shotz / Rick Bota); EP12 Gasp (Christine Roum and Robert Levine / Seith Mann); Ep13 Sigh (Jeffrey Bell / Sanford Bookstaver)
Seven years ago on Harper’s Island John Wakefield brutally murdered six people in a ritual killing spree before being shot dead by the local sheriff, Charlie Mills, whose wife was one of victims. Mills sent his daughter Abby away from the island following the killings and she has been estranged from him ever since. She comes back to the island seven years later for the wedding of her childhood friend Henry Dunn, but when the wedding guests start to die or disappear it seems as if there is a copycat killer on the loose, continuing where John Wakefield left off.
The show was created by Ari Schlossberg, who was in charge for the original short pilot presentation. However, by the time of the first episode Jeffrey Bell and Jon Turteltaub had been brought in as executive producers and Bell extensively rewrote that opening episode. Several actors cast in leading roles in the pilot had also been replaced. Jeffrey Bell’s previous credits included ‘The X-Files’ and ‘Angel’. Jon Turteltaub is a successful film director whose credits include ‘While You Were Sleeping’ and ‘National Treasure’. He was an executive producer on ‘Jericho’, a show that ran on the CBS network between 2006 and 2008.
I watched the opening episode three times before making the leap to the second episode. Each time I felt a sense of disappointment because I wanted to like it so much more than I did. However, once I had moved on to episode two I quickly found myself enjoying it more and more and soon became hooked, watching all thirteen episodes (on DVD) in the space of four days.
Having said this, it is a very enjoyable piece of hokum. The cast is great, including Christopher Gorham, who will be familiar to many people from ‘Ugly Betty’, Cameron Richardson, who was in the short-lived ‘Point Pleasant’, a show I adore, and stalwarts like Richard Burgi and Jim Beaver. The lead role of Abby Mills is played by Elaine Cassidy, an Irish actress I am sure I recognise, although I cannot bring to mind anything else I might have seen her in.
